following suit where his 2xlp left off gunnar haslam presents a new ep for l.i.e.s. once again we see haslam find a nice balance between combining samples and hardware in his productions creating moving and atmospheric tracks, which range from slow stripped down soundtrack style cuts to more developed far out techno. mastered and cut by matt colton at alchemy.

big with: chateau flight, dungeon acid, axel boman, tm404, top nice, sling & samo tripping dub tekkno excursion, in full extended versions from stockholms own - isaac spayes. dug out from his archives, 150 copies worldwide, no digital sales!

with david mayers share of keinemusiks current workparty edition still providing solid fuel for heated clubfloors, he already shovelstwo fresh loads into the furnace. km021 has just surfaced in a moment when electrified techno-music seems to drown in an ocean of preset-dullness. well, mayer has come to provide a rescue tool with his sunhole on side a. youll recognize this somewhat trademark-becoming percussive fetish of mayer as this tracks modus operandi. yet, it has rarely been as detailed and surgically implemented as in this banger. whats that – a second hand ticking? and over there – is it a woodpecker in the field? sunhole supplies all the answers in a thumping, yet no friskiness avoiding manner. youll get a stoically rolling beat, asphalting the floor, to build a cannonproof foundation for thisarrangements main attraction – a filtered and delay-heavy synth-affair.flip around and find a competitive jamboree of subtle background-brainwaves other would straightaway use as lead-ideas for their tracks. well, this matchingly titled lead comes in with a hard hitting kick and gets into the groove via filter-rides to peak into clanking noisy industrial-thunder that immediately will electrify every steel-toe in hearing range. generally - only roughness in this cut, crispy bounce and ghostly whispers all over. most definitely for the win, this double broadside.

the remains of the horsemans severed head are no where to be found so he has returned to sleepy hollow for vengeance. in >execution< you can hear his sword tear through the last human souls who were brave enough to step out side of their homes in the pitch black darkness. the headless horsemans >legend< has now been born in the neighboring villages but there was one survivor on his third attack. that was a gentleman named ancient methods, who showed his courage and strength so the horseman decided to let him live in return for his shield containing markings of times before his

limited edition white vinyl double lp in embossed gatefold sleeve, cut from hi-res master, digital download included.

fky back to creation with 4 tunes from september 2013, azll anologik, without computer. all 4 tunes choosed between various versions and all 4 tunes 160 bpm exactly. cut and mastered by shane the cutter... well... a-class sound baby!

bristol native and musical wiz benjamin jacobs aka crackazat dazzled us since the first time we heard him a few years ago on futureboogie with his deep and jazzy electronic house not house sound. after a move to sweden and refining his characteristic music profile you will now find hints of floating points, faltydl, lone or underground resistance in his productions. its dance + music at its best and something truly special if you ask us! after a killer track (size up) on local talks off shoot label oneoffs and a bumpin piano remix for tony blitz our man crackazat is now here with his first solo release on local talk ... the candle coast ep. all three tracks are winners by themselves and its seriously tricky to single out any of them so its just up to you to choose your favourite cut. it wont be easy we tell you!

feadz is releasing his debut album instant alpha fifteen years into his career. his music is a careful balance of urban and electronic that finds its roots in rap, freestyle, electro, techno and house, but also in more ghetto influences such as footwork, trap, baile, etc. in short, feadzs music is a quintessential edbangerian alloy.

smooth southern european house music from italian master chef riccio (bosconi, super value, italy) on this 5th release on the spanish slowtown label. a small gem that comes as limited 10inch as a special 1st anniversary release. never go away shows the warmer side of riccio. a house cut, with balearic taste and mediterranean flavor. in the glow, the beat goes spacey and psychedelic drawing a dark disco-house vintage track. riccio al dente. classy house music from the south!

welcoming warrior one to losing suki, the man like carl faure has been knocking out some killers for labels like black butter, catskills and king pigeon over the last few years, and for suki he shines a light upon the garage house hybrid sounds…. title track 5ths kicks things off with the kind of punchy garage house swing that never fails to move you, airhorns and synth sweeps pepper the cut whilst a thundering double 99-esque bassline throbs hard and heavy. flipside, the reverberating keys and mc licks of nyc continue warrior ones indulgence of the classic us house sounds but with a slick production for the modern dancefloor. closing track only you presents orgasmic pads and tough garage beats, its meaty bass touching the spot, a sweet slice of when rave met garage (somewhere in a field off the m25, most probably).

label-head anthony parasole and analogue warlord phil moffa are back to the corner! both have beaten a rugged path since dropping their first collab, with parasole dropping a quickstrike one-sided corner cut amongst others, and moffa going on to work with dj spider for a killer 12inch.this new ep represents their best work to date.

the a side contains the cut of n.phect called cascade. you can instantly hear that its light years ahead of the competition. like a bulldozer itll come at you only to change into hoover mode and fly over year head like your in the year 3060.

glenview edits returns with this tasty (and diverse!) 4 track ep of edits from moscows simple symmetry with their indian tinged cut, the urals finest the papers who replayed all the instruments in their exotic edit, to two funky disco bangers from chicagos boogie nite and newcomer funkyjaws. edit house disco

compound eye is drew mcdowall (formerly of coil) and tres warren (psychic ills and messages). *journey from anywhere* is their second long-player release following *origin of silence*, an art edition lp on the spring press label. this double lp features 4 sides of improvised electronics that lead the listener into the dark recesses of the duos subterranean explorations. each of these works move at a slow and considered pace, gradually unfolding into a transportive blur of dark psychedelic minimalism. like elements of coil long form works this is a music which has the potential to melt time, open space and create a flowing web of liquid memory. a sublime record for those who like music that encourages travel.

massive. sub. killer. will levitate your sound system. producer remains anonymous. one off press. ltd, no repress! hand stamped! cut at 45rpm! beast!

thirteen fresh remixes of timeless classics by donna summer on double 12 inch vinyl in gatefold sleeve.

the first ever record released by the numbers crew, remastered and comes with 30 minute ricardo villalobos remix cut over two sides of vinyl to coincide with the numbers 10th anniversary. originally recorded in 1998 and released in 2002... 2x12 inch and full picture sleeve.

ellis de havillands original art brut and authentic idiot savant music: lost and found heavy and raw, wonderfully obscure and brilliantly retarded, crazy and intense acid house ghetto trax from the chicago underground 89 - 91. released on bunkers new 4000 series. 200 copies edition!

the package comes with a raw club cut aimed for the tech house floors, a james welsh (hypercolour, join the dots) remix for the uk beats and bass approach and a deeper 303 led techno journey done by german patrick chardronnet (connaisseur, poker flat).

first appearance of this small-scale vinyl imprint from the east of holland with a split-release by the well-respected aroy dee (m>o>s, delsin, rush hour, dolly) and perseus traxx (bunker, m>o>s). both of them are known for their deep analogue house music productions with raw and sharp edges, but most recognizable in their work is the presence of true emotions. this will also be the distinctive element for the labels future output: emotive electronic music with the soul deep within. honest and unpolished music that is inspired by everyday life, whether it comes from pain or joy. perseus traxx kicks off with an immersive, slow building and uplifting track, followed by a moody but hypnotic and slightly acid inspired piece. aroy dee takes care of the flip-side, with a dreamy and atmospheric track, and one raw, surprising and energetic cut. a versatile selection of tracks

incredible double a sided reissue on tiny early eighties new york imprint small axe. side a features the awesome boogie funk of *throwdown* by larry harris, a phat floor-filling monster which always changes hands for big bucks in auctions. on the flip we get another in-demand bomb - the sparkles *trying to get over*, a superb soulful disco groover with great vocals and synth hooks. originally released way back in ‘81 and produced by the strikers darryl gibbs, this killer cut still remains a firm favourite of many in the know disco djs. top stuff!

a kenny dope gonzalez remix should not be ignored. as one half of masters at work, kenny’s production & remix credentials are unquestionable. here kenny is let loose on one of the hottest records around. trademark remix, dub, beats and tool from the dope man all straight from the board to 1/4 inch tape. remixed, produced, mastered and cut with care & precision from one of the masters of the trade.

great remixes by com truise, girl unit, keep shelly in athens and renaissance man.

following their successfull release salinas (pacha recordings), bedrud & giese start through with another euphoric club-filler in their very own style of deep but pushing tech-house: african child (rotfenstermusik) stays to its name and lets african child choirs meet deep bass

the 2nd release on tears of joy features 2 tracks cut live in a warehouse on skid row. rich acidic house music for the early morning hours. limited edition of 252 with hand stamped sleeves and insert. b-side is children burning.

disco deviance continue to unearth those secret dj weapons that will really set your dance floor on fire. for this latest edition they invite youthful crate diggers shmlss from the vibrant amsterdam scene to deliver two cut-up gems of the very highest order. both tracks are lovingly edited and beautifully re-mastered. enjoy the music!

jonsson & alter are back with 2! the result is eight strong tracks that each shine and glimmer like a roughly cut diamond. the listeners are met by a prouder, matured, and more confident duo on 2. it is music for long club nights, but also perfect for simply listening to as it is dance music that reveals so many layers, so many angles and so much emotion.

after his epic split with black deer, torn hawk comes back with a proper four track 12 inch, opening with an almost balearic/tropical, someone put something in my drink and i am melting house cut. trapdoor returns to wyatts skewed after school special add cali-speed freak bastard child drum machine/guitar lush not lushness. we get more end-titles on the b-side, as both songs could be the soundtracks for a night hanging in a parking lot drinking boxed wine and snorting ajax while auxilary police circle, threatening to harsh your mellow ... good times to say the least.

a collaborative effort between marquis cooper (svengalisghost) and lili schulder (51717), this project was born in the winter of 2013. what can best be described as non-stop electronic erotic cabaret, the duo played a series of improvised performances which served as a structural backbone prior to the recording of this album. finished in merely two weeks, this 8 song double lp acts as a complete listening experience, engrossed in the down beat primitive electronics of the past whilst pushing further into the self-created anti-beat world of today. pulsing tones, off beat drums, melancholic vocals, and overall dark vibes characterize, but do not solely define what it is to truly trust in pain. mastered and cut by matt colton for maximum impact.

new perc trax sub-label hits hard with a re-release of matt whiteheads classic acid cut. regular pressing on black vinyl.

pedram is the next young veteran to drop a limited edition 12 inch through born electric. already gaining early support from midland, tensnake & dusky, his nina b/w immaturity 12 inch will certainly sell out.
packaging: full colour side opening sleeve with cut outs.

after successful ep on anton zaps ethereal sounds, well known moscow dj and producer sasha chizh is coming back with new day ep on plus seven records, where he is continuing to traveling slow and deep on the acid duby landscapes with authentic disco atmosphere, propagandizing the strictly and pure analog sound.

massively anticipated debut album from ron morelli, founder/boss of acclaimed brooklyn label l.i.e.s. (resident advisor #1 label of the year 2012, amongst many other accolades), *spit* is the first in a trio of related releases from morelli due on hospital productions in the coming months. the album features 8 electronic variants, from house and industrial tape experiments to saturated metallic beat tracks. mastered and cut by matt colton at alchemy. there is so much that could be said about ron morelli, his l.i.e.s. label, or the fact that his debut album comes to you via hospital productions, but instead, here are some words from the man himself: i m a regular guy, enjoy a good steak, drinking beer, and occasionally a game of pro basketball, republican talk radio ... you know ... all the good stuff.

our favourite swedish house duo is back…more dirty than ever! the follow-up to the previous eps moody & trapped is nothing short of brilliant. waisted with its plucked strings is classic deep house held together by a bumpy groove, soulful vocals & slick keyboard but still maintaining the formula that defines dirtytwo and their finest work to date. talking 2 u is where dirtytwo gets deep down and gritty. chunky house chords, a meaty bassline, cut-up voice samples in full basement effect. flip over for the hard on edit of talking 2 u which goes one step further adding some acid lines and a raw basement feeling. a dub for those who seek a more raw and heavier tool. local talk is talking to you!

nice price deal !!! part 2 of this very special series by swayzak. after the magnificent success of part 1 swayzaks david brown is back with another 2 tracker which shows why he is still the brilliant master craftman of pure deepness and previously unattainable quality.

2 tunes with more than 25 minutes playtime.
inside out cut. rare.
180 gramm vinyl.
shrink-wraped.
all songs are written and produced by david brown.

merkur releases its 6th ep which has a new, different approach compared to the last eps for which it has gained much praise during the past 5 years. the a-side >theme of mercury< was produced by label founder shingo suwa and akirahawks, who is known for the unique re-edit label house mannequin. the two of them mainly perform at homopatik in berlin. theme of mercury is a hypnotic track which was created with some broken old synth and sends your mind on an intergalactic odyssey, before diving into the deepest ocean on a journey to forget about space and time. the first track of the b-side is a remix from ducerey ada nexino aka yuji kondo, also known for his work under both his own name and as a half of steven porter on semantica. the remix fastens up the mix by repetitive pulsating synths, giving the beat an industrial modern atmosphere and letting the crowd heating up. the second track on the flip-side, called >barsoom<, is a solo production by shingo and completes the whole package. the functional work of a cut up 303 acid line with raw bass and a running groove creates an insistent and deeply pressured feeling. vinyl only, limited to 300 copies.

hvnxx is one of the most special projects weve taken part in as a label. some months ago the xx and young turks asked our artists to remix tracks from coexist. it was a big honour and also a big responsi- bility, specially considering that the xx is one of our favourite bands. the outcome of such challenge is a four-track ep that showcases the sound of both well-established members of the hivern family, such as marc pinol and new jackson, and upcoming talents such as round and mistakes are ok. all four remixes are pretty different among them, but they all manage to maintain the distinctive spirit of the original songs in their own way. marc pinol takes fiction to the good ol days of chicago house, laying the original vocals on top of analog drum-machines and a rubbery bassline to that suggest an imaginary collaboration between adonis and oliver sim. the elusive mistakes are ok maintains the tropical vibe of reunion but provides a warped atmosphere combining breezy chimes with static haze and a propulsive bass that boosts the song towards the second part of the remix. hiverns latest signee round transforms the fragility of missing into a soothing house cut through uplifting organ chords and vigorous rhythms fulfilling dancefloor demands without loosing its melancholic character. finally, new jackson proves once again his knack with nocturnal ambiences flipping swept away into a sensuous deep-house gem guided by an absorbing piano and a slow but steady groove. the release comes in an embossed sleeve with artwork designed by arnau pi. hvnxx is a co-release with young turks.

the first release of parallel pain comes in three cuts, two originals and marcos in dub vs rooteo remix. hag-ridden offers both minimal and techno equally. a cut with great quality sound, exudes class and style, reminds us the good techno from the nineties. the marcos in dub vs rooteo remix, has a personal and sincere approach, with a more dubby and playful sound. in dark matter we found a fabulous track, a powerful synth defines the width of cut. dark matter contains sound passages that invite to close your eyes and explore by yourself what the game is all about. parallel has landed and is here to stay.

limited edition of 300 copies on 180 gram vinyl.
a 4/4 grumble garnished with lashings of spruced creamy loose mousse, will stay (asleep) longs for grazing in yonder meadows. more dancefloor ammo a la gcw. flame serves as a constant shifting platform of rhythmic maneuvers. constrained compression builds into an alliance of syncopated pressure points, sliding along to a gliding and well-constructed industrial & yet haunting melody. lush. again. came as it went is almost retrospect in its deep house communication. collective thoughts solidify an incessant groove, pulsating and driving stylish hands up in the air shit with it’s muscular intro volve fattens out its thuds and relinquishes any timidness bound inside, then steady paces a woeful glow. the pitter patter of tiny cut ups emit misfortune for a heady array of beautiful feelings. the thumping work out of make it strips back to traditional wasserfall form, making fundamental elements count & creating that signature groove off. in tune and on point.

damian schwartz and jonas kopp, two old friends and part of the esperanza family come back to the label to deliver a split ep full of deepness and dubby yet summerish feeling. a side, hidden house its the deep cut of the record with a huge detroit feeling, analog synths, melodies, pads. chords, strings. jonas track on the b side is a great tool we have been using for years already, 100% his own unique stlyle of dubby techno. must have!

egyptrixx gives a glimpse into his forthcoming second album on night slugs with the vinyl-only cut *water (reduced)*. the hi-definition crystalline world of his previous album *bible eyes* has sunken, submerged. *water* takes place in some vast molten expanse, a subterranean electrical storm expressed as acid-tech. this 12 inch features the reduced dub, stripped of melody to for full hypnotic effect. the full version can be heard on the forthcoming album, titled *a/b til infinity*. on the flip: helix keeps bootlegging our records. he cuts up the masters and edits them up like fruity loops lego, applying the same post-timbaland stutter-logic that was amplified so dramatically in 03-06 grime. here he puts his hand to egyptrixx blastbeats-heavy *adult*, also taken from the forthcoming *a/b til infinity* lp. the results are extremely punishing but compelling listening.

tip! new raw and hard groovin label concept by whim-ee. whim-ee is always in the first line if it comes to unusual bouncing drums. her own tracks blooming of self-assured elegance. so here is her first release on her very own label. vinyl only.

the man from marseille vernon dropping his second e.p for dabj here, building on the groove of his debut >chicken dance< but adding an extended palette of sound and taking things in a slightly tougher direction. >how to travel the universe (without a flying saucer)< kicks of with >ignition<, an eerie ghost train cut ripe for an lsd-fuelled danse macabre through the town after the witching hour. >one night in tanzania< rolls out into a rugged, clave-led jacker: a perfect mix between the deep and the tough that vernon can deftly muster, seemingly with ease. flip the white wax for a run of jagged, acidic noise on >how to build a pyramid<, a perfect soundtrack to getting >the acid life< tattooed on yer forehead tebori-style by a crippled ex-yakusa in a back-alley whorehouse...

crosswinds from causas first 12 inch on glenview records gets remixed here by kuniyuki takahashi (a lush and layered synth music ala jean michel jarre doing club music) and kito jimpere (jazzy and ambient until the beat kicks in) and young marcos remix of alji (wild!). comes in glenview die cut sleeve.

ltd pressing, special die cut sleeves! the 3rd in a series of eskimonde 10 releases.

knapp zwei jahre nach der veröffentlichung des selbstbetitelten debütalbums melden sich nick millhiser und alex frankel aka holy ghost! mit neuen songs zurück. dabei zeigt *dynamics* deutlich, dass die beiden new yorker sehr an selbstbewusstsein gewonnen haben und ihre musikalische erfahrung, die sie über die jahre in form von single- oder ep-veröffentlichungen sowie zahlreichen remixes für z.b. mgmt, cut copy, moby, phoenix oder lcd soundsystem, gekonnt in die songs einfließen lassen. holy ghost! haben ihren extrem tanzbaren elektro-sound mit dem neuen album perfektioniert, sie kümmern sich nicht um etwaige trends und konzentrieren sich auf ihre stärke, einen sound zu kreieren, der sofort in mark und bein geht.
die 2x12 inch vinyl-lp kommt im klappcover, inklusive cd-version des albums.

it is 2013 and in this release we hear a totally new approach to sampling. a vinyl release of two artists. fitz ambro$e (cape breton island) residing intokyo, & ohbliv of richmond, virginia(usa). fitz ambro$e sound has unique influence from 90s hip hop and 80s soul, he is also affiliated with cosmopolyphonic collective in tokyo. from the record archives of his father, ohbliv developed the charm of sampling. the record is a 14 track collage of beats from two uniquely talented artists who transcend their individual musical roots. as if competeing with each other both leave the remnants of sampling material, and the method in which they cut and chop is truely an interesting work.

mike gill who has already featured on roots for bloom teams up with taymor zadeh to bring us the coppin a feel ep featuring a john dimas remix. the a side *coppin a feel* brings us hard hitting groove with a hypnotic vocal line carrying the track. loose percussion and bold tom drums really cement this to work on any dance floor. the b side cut *the message* is a more rolling groove with a strong rhodes line that features later on really making the track evolve. john dimas takes *the message* and takes the atmosphere up a notch, with slick cut up vocals. this one will work in the early hours.